OPEN FORM

 My 'Open' poetic process emerge organically  as blossom from inspiration & embrace a natural placement to visually evolve into verse in a harmonious dance twixt content & form unfurling as a flower in an the emotional landscape of  symbiotic

thought becominga tapestry of perceivable wordplay indentation spacing &line breaks in woven cadences of expressive effect.
An open form that may be  be described as an apperception of poetic elements -imagery,assonance,rhythm,sound symbolism of an intuitive of the self conscious in a crystallised convergence of the moment ,lower case throughout ,with punctuation implied by the form.

Interpretation by the reader changing according to mood, thus essentially fluid and inherently variable.Especially in poetry read aloud where interpretation is unique each time as the reader participates in the poem as one does when iviewing a painting in a gallery.

STAY CURIOUS

(Read aloud here)

https://m.youtube.com/watch?v=vdqKSXcLNX4

perspectives, &beyond first impressions moving images notions, found objects refracting light restless shifting silhouettes incomplete structure recesses in exteriors informal at scaled angles or a complete whole nothing visible pointless to speculate the lines of hopelessness in a downward spiral the emotive aspects of a sense of place everchanging beyond telling a special time of intense interest an intimate presence unspoken in a dedicated space reflective profiles circles in spectrums of colour distinctive explorations acquisitions of legacies all motivations of a creative influence upon the curious heart

&  many more in my anthology https://www.poetrysoup.com/member_area/my_poems.aspx

OPEN RECITED VERSE

 OPEN VERSE may be described as an apperception of poetic elements -

imagery,assonance,rhythm,sound symbolism of an intuitive of the self conscious in a crystallised convergence of the moment ,with punctuation implied by the form, 

interpretation by the reader changing according to mood, thus essentially fluid and inherently variable.Especially in poetry read aloud where interpretation is unique each time as the reader participates in the poem as one does when iviewing a painting in a gallery

I first wrote in this style in Jan 2012..@PS... it is AN OPEN (organic)  1 VERSE using spaces&breaks without grammatical symbols ,the ' open' relies upon 'the one breath limitation' (intuitive cadence)& so inherently requires the 'reader' (reciter) to input and responds thus making this enigmatic form a two way interplay & interpretatIon unique to the moment 

An example & recitation 1 to explain

Will my verse reach your ear can your eye stay the course Does unconvention confound the rhythm of your eyes Take a deep breath exhale and read between my lines unphased by phrase and habitude or human voice The choice is always yours if my poem will be or is not to be a tune upon your ear explain

NOTE 1 https://m.youtube.com/watch?v=iEuqldQdLb8

2.My open verse is organic in some interpretative aspects similar but different from that of

Hilda Morley created (in the 1970's ) this type of  this 'verse freed' (which she labelled 'organic' )ie freed from convention,formal in experimentation closely related to Denise Levertov definition "organic form in poetry'. An early organic Sea Lily  https://m.youtube.com/watch?v=G7T7t3zuVMc

TANGA picture poem

 TANGA

A picture poem in a short form  digitally super-imposed on a photo of a  piece of self created artwork,thus combining two artforms into one (haiga style) in dual creativity.

The result can then be digitally displayed,posted,or printed as a hard copy & stored

an example 

EMAGI -a visual reverse ekphrasis

 EMAGI

The art of creating a visual response to a piece of writing is known as a reverse ekphrasis ie the inverse of the centuries old poetic form of ekphrasis.The most well known example being Charles Demuth 'Figure 5' based upon a W C Williams poem. EMAGI is my recent variation of a reverse ekphrasis derived by the advent of the widespread use of hand held digital communication devices -where words in digital  symbols /letters can be represented as a shape and uses a poet's poem to inspire the digitised 'drawing'

WILLIAM BLAKE. 'Cradle Song' ¶ ¶ ¶ ____ | | \ \ /-----------| / \/.............. | /

EXPERIMENTAL VERSE

 TANKA-CINQUAIN TRIPLET 

with an integral triplet title headings for each  section of the unified cinquain has single word for each tanka style show(3) & tell(2) giving an overall 15 line enigmatic experimental verse.

Developed in 2026 below are some examples

BEAUTY FORMULATED-:-
timeless
  ideals
derived

pure
parallels
of UNFILLABLE LONGING
austere
quintessent
expressed

fundamental
tenets
of INNER VALUED
measured
  complicit
identified

unencumbered
complexity

INTENTION TO RENDER THE VISIBLE-:-
translucent
crystalline
structures

deliberately
alongside
a STEP TO SELF-ORIENTATING
diagrammatic
elevated
imagery

constantly
illuminated
in SCHEMATIC FORMULATIONS
disconcerting
physical
reality

incorporating
syncretics

A TOUCH OF IRONY
random
open
fragmentary

inscribed
repeatedly
as A REPOSTE
through
  associated
contrasts

stirring
provocation
with SIMPLE UTILITARIAN
reawakenings
deactivating
emotional

forgotten
memories

SYMBOLIZED NAIVETY-:-
draped
shaped
individual

creative
amusements
of DADAISTICAL MEMOIRS
confused
bizarre
illustrative

dreamworlds
materialise
are SUDDENLY REVEALED
invoked
transient
notions

indissoluably
linked

DERIVED NOTIONS-:-
touching
ideas
formulate

primitive
moods
to MARK A TENDENCY
free
meaningful
inessential

linked
motifs
in a CURIOUS MEDLEY
expressing
primitive
forms

inside
memory